FROM THE SMITHSONIAN:
The Smithsonian Women's Committee announces the launching of the Delphi Award. The Award will be presented annually to mid-career artists who demonstrate distinction, creativity, and exceptional artistry in their work and who are predicted by experts to achieve greatness.
This year, the award goes to two ceramicists, Steven Young Lee and Roberto Lugo. Although their ceramic vessels may seem different in style, they are similar in focus. Both are known for their incredible vessels. Each artist is a master bu adds a twist to the classical interpretation.
Steven Young Lee is a master ceramicist, having studied the intricacies and unique forms of ceramics not only in the United States, but in China and Korea as well. Instead of remaining content with his skills, he uses his arena to explore the concepts of belonging, expectation, and perfection in art and in life. Lee is the teacher who engages us in the investigation of his sculptural pieces, which often embody flawless structures that have purposely been broken or fractured in the making. He says that “deconstructing and imploding the forms creates a visceral reaction that defies the human desire for perfection and confronts the perception of value.” He hopes to “redefine” that which is considered beautiful.
Lee is the resident artistic director of the Archie Bray foundation for the Ceramic Arts in Helena, Montana. He has lectured and taught throughout North America and Asia, and was a visiting professor at the Emily Carr Institute of Art and Design in Vancouver, B. C. His work has been collected by the Smithsonian Institution and the Daum Museum of Contemporary Art, among other museums, and he has recently shown in exhibits in the Smithsonian American Art Museum, the Museum of Fine Arts in Boston, and the Crystal Bridges Museum of American Art. He received his BFA and MFA in ceramics at Alfred University.
Ceramicist Roberto Lugo hails from a tradition of street art, using his keen talents to explore historical inequalities. He is a self-described ghetto
potter and activist. Lugo throws and hand builds with a variety of clay, shaping exceptionally crafted vessels, teapots and plates molded and decorated in the Euro-Asian tradition, but with a twist. Instead of bygone royalty adorning his work, he honors underrepresented people of color. Lugo says that he puts portraits on his pots in order to “recontextualize history”. And his art is defined by curator Glenn Adamson as “masking old techniques in order to better redeploy them.” Lugo holds an MFA from Penn State, and a BFA in Ceramics from the Kansas City Art Institute. His work has been featured in the Museum of Arts and Design in New York City, the Houston Center for Contemporary Craft, and the Philadelphia Museum of Art, among other galleries and museums. He is the recipient of various awards, including the 2019 Pew Fellowship, the 2018 Artist of the Year by the Ceramics Arts Network and has been awarded a U.S. Artist Award. Additionally, he has been a lecturer and visiting artist at many art schools across the country and is known for his generosity in helping to advance the careers of fellow artists of color.